Unsurprisingly, Patti's stories are as beautifully written as her songs. I've always felt that she has the rare ability to express herself in so many different ways, through her art, music and poetry, and to do all three so extremely well is a very special talent.
She talks about her childhood, of playing soldiers with her siblings, and later of her move to New York - completely alone - with nothing but a waitressing uniform given to her by her mother, and her wild imagination. Unafraid to be brutally honest but never scorning her younger self, Patti takes us back to her young awakening; an understanding that companionship and creativity meant much more than the amount of change in her pocket.
I'm now on page 112 and she's only beginning to talk about music in terms of the maker rather than listener. Despite knowing how it's all going to end, as Patti's fascinating stories swerve between good and bad luck, Seventies' New York climbs out of the pages in all its dark, hopeful, all-consuming brilliance.
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