Monday, 20 January 2014

January 2014 Mixtape



As someone with a memory full of blackholes and a waning attention span, Songdrop has been my saviour this month, neatly adding a virtual post-it note to all those tracks that pass by during report-writing, emailing and glancing longingly through the window...

Although it's not the end of the month quite yet, my next update could be some time so here's a rundown of songs that have caught my ear so far in 2014. Special mentions go to Seeds of Doubt, Primitive Parts, As Ondas, Ravioli Me Away, Lady Neptune and Blueprint Blue, simply for reminding me that despite mice, damp, horrible train journeys and extortionate rent prices, living in London can be worth it when bands like this are locals too.

Here goes...

Friday, 3 January 2014

My Secret World: The Story of Sarah Records



After ceasing existence in 1995 following an eight-year run of many beloved releases (including The Field Mice, Another Sunny Day, The Orchids and Heavenly), I'm very excited to hear that one of indie-pop's greatest DIY labels, Sarah Records, is soon to be getting a long overdue documentary!

Founded in Bristol in 1987 by Clare Wadd and Matt Haynes, Sarah Records released an impressive 623 7" singles, fanzines, albums and compilations in total, and filmmaker Lucy Dawkins has spoken to many of the label's bands, diehard fans and amassed footage from the era, "[proving] you can run a successful business without surrendering personal ethics". The film is currently looking for distribution and will have a premiere in Bristol sometime this year. Here's the first trailer:


Saturday, 28 December 2013

2013: Personal Best



Photo by PZS


Noteworthy Albums:
* click album names for tracks *

Vision Fortune - Mas Fiestas con el Grupo Vision Fortune (Faux Discx/Gringo)
Pissed Jeans - Honeys (Sub Pop)
Mazes - Ores and Minerals (Fat Cat)
Hookworms - Pearl Mystic (Gringo)
Thee Oh Sees - Floating Coffin (Castle Face)
Fists - Phantasm (Gringo/Hello Thor)
Parquet Courts - Light Up Gold (What's Yr Rupture)
Shopping - Consumer Complaints (Milk Records)
Just Handshakes - Say It (Bleeding Gold)
White Denim - Corsicana Lemonade (Downtown)
Bill Callahan - Dream River (Drag City)
Factory Floor - Factory Floor (DFA Records)
Julia Holter - Loud City Song (Domino)
Pond - Hobo Rocket (Modular)
Quasi - Mole City (Domino)
The Space Lady - Greatest Hits (Night School Records)
The Julie Ruin - Run Fast (Dischord / TJR)
Mariam The Believer - Blood Donation (Moshi Moshi Records)
Kurt Vile - Wakin On A Pretty Daze (Matador)
Julianna Barwick - Nepenthe (Dead Oceans)
The Mantles - Long Enough To Leave (Slumberland)
Larry Gus - Years Not Living (DFA Records)
Au Revoir Simone - Move In Spectrums (Moshi Moshi Records)
Deptford Goth - Life After Defo (Merok)
No Bra - Candy (LP on Address)
A Grave With No Name - Whirlpool (Lefse Records)
Gun Outfit - Hard Coming Down (PPM)
The Haxan Cloak - Excavation (Tri Angle)
The Growlers - Hung At Heart (Fat Cat)

.. There is so much more that's interested me, but I'd feel weird including an album I haven't listened to more than twice - I need to do some serious catching up.


Noteworthy Songs:

Sauna Youth - False Jesii Pt II
Primitive Parts - Another Night / Dust
Elenor Friedberger - Stare At The Sun
The Pastels - Check My Heart
Withered Hand - Black Tambourine
Virginia Wing - Donna's Gift
Teardrop Factory - Vanity Unfair
Witching Waves - Barber
Slowcoaches - Total Block
Tense Men - RNRFON
Girl Called Johnny - Heaven Knows


New Finds:

Ed Schrader's Music Beat
Claw Marks
Occult Hand
Warmhammer
Men Oh Pause
Androgynous Mind
The Wharves
Good Throb
Zombie Crash
PKN
Joey Fourr
Nu Sensae


The Best of 2013:

Supernormal Festival (all of it)
Tramlines (aka Sweatfest '13) at Tye Die Tapes HQ w. Slowcoaches, Omi Palone, Collider, Fawn Spots, Feature & Pjaro
Ed Schrader's Music Beat at TDT HQ (especially the Bowie ad-lib)
Seeing The Breeders for the first time (twice!)
Daniel Johnston at Protein Gallery
Lydia Lunch terrifying & charming everyone at the 100 Club
The London screening of Kathleen Hanna doc 'The Punk Singer'
Primavera (but not the cold weather)
White Denim at Village Underground
First and second visits to Amsterdam
Cribsmas


Looking forward to in 2014:

An album from Omi Palone!
New Stephen Malkmus & The Jicks record
New York trip
The Space Lady World Tour (!)
Portugal & Barcelona
Potential UK tour w. Feature

x

Sunday, 8 December 2013

One Beat - Best of 2013 Playlist


I now spend so much time speaking to other (much more capable) writers about new music, that I'm left with pretty much no time to actually keep up with my own writing. It's a small price to pay though, as this little playlist will show.

So here is a selection of a few of my favourite tracks that I've worked on from the past year. (Note: I've picked solely from my freelance roster rather than including the [PIAS] Cooperative stuff too, simply because otherwise it would go on for HOURS and HOURS. Expect that little round-up to appear online soon.) It was also strange to realise that I'd already written about so many of the bands long before I got the chance to work with them. Seems being a massive fangirl does pay off sometimes, who'd have thought?!



Follow at: https://www.facebook.com/OneBeatDigital

Monday, 1 July 2013

The Mantles - Hello

The Mantles' new album is all kinds of great. And this is just one reason why... (directed by Grass Widow's Hannah Lew)...



Slumberland Records are releasing Long Enough To Leave in the UK on 15th July. Visit them at: http://www.slumberlandrecords.com/

Monday, 22 April 2013

Playing Catch Up - New Sounds


Oh time, where the heck do you go these days? One day we're still deep in winter, shivering in rented flats and buying plane tickets for far off excursions, and suddenly you wake up in the morning and it's almost May and you're in a new room, commuting to a new office and everything is odd and new, though it only feels like an eyelid has flickered shut for a brief moment.

One thing that might have aided this sudden rush through to the future (besides big location changes in life, settling in and all the rest of it), is the sheer amount of music coming through at such a high standard, which takes a while to fully digest. In the past few months I've done a fair bit of time travelling - I've relived what it feels like to go to a gig when everyone feels young and un-ironically sings their hearts out to every lyric and it all ends in a sweaty pile of slippery floorboards and soaked-through t-shirts (The Cribs at 100 Club). There have been the Next Big Thing shows - packed into Dalston buzz bars, crammed between video cameras and photographers lining the front row as they crane their cameras to get just one. more. defining shot, when all you want to do is get a decent view and have some fun watching a band who might not return to such a small capacity again (Parquet Courts at the Shacklewell Arms). And then there is the future: down at the bottom of a small tucked-away alley, TV screens flickering in time to music, dancers you can only just catch the tips of over a crowd of tall men, lights flashing like urgent sirens, half the audience forced to listen from the street as you get the sense you're missing something spectacular as the music bends through the window outside (Vision Fortune at Protein Gallery).

There were years when it felt like there was a lot of space to fill, sounds yet to discover and audible yawns in record shops. Now, it's coming back, streaming around the globe, ideas being shared and live bands that stop you in your tracks. Patti Smith recently said, "I'm sure that each generation could say that their time was the best and the worst of times, but I think that right now we are at something different... It's a pioneering time because there's no other time in history like right now... it is a time of the people, because technology has really democratised self-expression. Instead of a handful of people making their own records or writing their own songs, everybody can write them... everyone has access". It does feel as though there is a lot to write about, to write for, to put a little part of yourself out there, no matter how scary. In the past year or so games have been upped, and it's not just about drinking beers, uploading photos and hoping for the best anymore.

To summarise this somewhat uncalled for, introspective ramble that verges on a tiring diary update, here are some recent songs that I have been enjoying, and that serve to show that there is a new wave of gripping music that seems to be unfolding constantly... (and hell, it makes the Tube commute a little brighter every morning).

Terror Bird - The Wrong Way



Vision Fortune - XIV



Hookworms - In Our Time



Theo Verney - Moving Forever
 

Parquet Courts - Stoned and Starving


More to follow soon.

Tuesday, 5 March 2013

Weird Menace - Beyond Belief

I wrote about Weird Menace some time ago, when they first outed the stark, subconscious roaming of the self-explanatory song, 'Demo'. It was all hazy vocals against a firm repetition, with occasional streaks of chorus lines, that wasn't yet fully formed, but hinted at what could be.

In the past year or so, the trio became a duo and then a trio once again, and their faces were shown on this virtual domain; a single press shot showed them to be Emma Wigham, Katy Cotterell and Bob D'Mello (Merida from La La Vasquez was their original drummer). Their new song, 'Beyond Belief' is a striking and tense offering, and can be downloaded for free below.



Suplex Cassettes will release Weird Menace's debut EP on the 18th March. The 'Weird Menace EP' features 5 songs on white cassette, available with two alternate covers, and limited to 100 copies (+ each comes with an instant download code). Available at http://suplexcassettes.bigcartel.com/

There will also be a tape release party at Power Lunches on 14th March.